I wasn't born with "Golden Ears" like an Edgar Winter, or a Shelly Berg amongst many others where they have perfect pitch and amazing recall...
I like to think of myself as having "Silver Ears" (my wife claims they've gotten a little tarnished...yeah, real funny)
Anyway, when asked to "lift" or "peel" an existing arrangement for a dance group, performance track, or whatever, I try to do it the old fashioned way with repeated listenings and score paper, or just jot down some of the more difficult passages.
Recently, I had to do a condensed version of the song "Step In Time" from the original London production of Mary Poppins. The song itself is not difficult, but some of the modulations and dance section orchestrations were extremely challenging to hear through, especially with all of the loud vocals, sometimes screaming.
The last 5 bars were especially trying...I could hear what the orchestrator was intending...basically a chromatic walkdown with the bass, and parallel major triads ascending chromatically and contrapuntally, but it goes by so fast! (About 15+ chords in just 3 or 4 seconds)
So I pulled out "Transcribe!" which allows you to slow down difficult passages, and even highlight individual parts of the waveform, and with it's built in analyzer, it makes pretty good guesses of what the chord and root are. I find that it makes some incredibly funny guesses on occasion like a BMaj7 (b5, b9, #13) over F that are just flat out incorrect!
However, by tweaking the selection of the waveform, and using your ears, you can usually determine what's going on.
It will also repeat just that chord, ad infinitum, in real time, 25 or 50% speed to compare with one while playing a live keyboard along with the output of the software to match it.
So, just in case anyone is interested, here's the link...
http://www.seventhstring.com/xscribe/version6.html
I try not to use it too much, to force my ears to hear, and stay in shape, but under deadlines, and for other reasons, I like the availability of another tool.
Buzz
Transcribe! Chord recognition software notes
Moderators: Frodo, FMiguelez, MIDI Life Crisis
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Discussions about composing, arranging, orchestration, songwriting, theory and the art of creating music in all forms from orchestral film scores to pop/rock.
Discussions about composing, arranging, orchestration, songwriting, theory and the art of creating music in all forms from orchestral film scores to pop/rock.
- buzzsmith
- Posts: 3097
- Joined: Mon Dec 27, 2004 10:01 pm
- Primary DAW OS: MacOS
- Location: Houston
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Transcribe! Chord recognition software notes
Early 2009 Mac Pro 4,1>5,1 3.33 GHz Hex Core Intel Xeon OS X 10.8.5 SSD (32 gigs RAM)
DP 9.51 PCI-424e / original 2408, 2408mkII, 24I/O, MTP-AV
Yamaha C7 Conservatory Grand
Hammond B-3 / Leslie 145
Focal Twin6 Be(s)
DP 9.51 PCI-424e / original 2408, 2408mkII, 24I/O, MTP-AV
Yamaha C7 Conservatory Grand
Hammond B-3 / Leslie 145
Focal Twin6 Be(s)
- FMiguelez
- Posts: 8266
- Joined: Sun Oct 24, 2004 10:01 pm
- Primary DAW OS: MacOS
- Location: Body: Narco-México Soul/Heart: NYC
Imagine with Penderecki. Not much easier, for surenickysnd wrote:Looks like a cool tool, it makes some pretty accurate chord guesses. I have put it to a test with a Takemitsu-on-strings cue and I managed to confuse it! But it has found the louder notes alright.
Thanks for posting it!
Mac Mini Server i7 2.66 GHs/16 GB RAM / OSX 10.14 / DP 9.52
Tascam DM-24, MOTU Track 16, all Spectrasonics' stuff,
Vienna Instruments SUPER PACKAGE, Waves Mercury, slaved iMac and Mac Minis running VEP 7, etc.
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"In physics the truth is rarely perfectly clear, and that is certainly universally the case in human affairs. Hence, what is not surrounded by uncertainty cannot be the truth." ― Richard Feynman
Tascam DM-24, MOTU Track 16, all Spectrasonics' stuff,
Vienna Instruments SUPER PACKAGE, Waves Mercury, slaved iMac and Mac Minis running VEP 7, etc.
---------------------------
"In physics the truth is rarely perfectly clear, and that is certainly universally the case in human affairs. Hence, what is not surrounded by uncertainty cannot be the truth." ― Richard Feynman